Bio



Claire Mullen is a producer, editor, and archivist of images, words, and audio.

Education

Elías Querejeta Zine Eskola, Masters in Film Preservation & Archive Studies, Donostia-San Sebastián, Spain

Scripps College, BA Humanities, Claremont, California USA



Contact: cmmullen[at]proton[dot]me

Newsletter






Claire Mullen
Images
WordsAudio
WordsEssays
Criticism
Interviews
News

2023 Fellow, Islario
2019-2021 Emerging Critics Fellow, National Book Critics Circle


2025

Echos of Dissent: United States Voices Against Interventionism in Latin America from the ZINEBI Archive, EQZE
In the Manner of Smoke: Interview with Armand Tufenkian, Open City Documentary Festival


2023
Agua Sagrada, Islario: Las islas también se desplazan Vol. 1
Photographs (Not) Taken, Nobody Magazine
Hidden Agenda, Mildew Magazine


2022
The Ballad of Cookie Mueller, Bright Wall/Dark Room
Interview w/ Tatiana Luboviski-Acosta, Full Stop
Interview w/ Emma Ramadan, Asymptote


2021
The Body, The State, and The Border: On Cristina Rivera Garza, The Nation
Interview w/ Lukaza Branfman-Verissimo, Veritable Voice
The Watermelon Woman, Fabrikzeitung


2020
“To Embrace the Fucked-Up”: On Dodie Bellamy, The Nation
Cecilia Vicuña’s Prescient, Rebellious Art, Artsy
Comprehending Disaster in The Unreality of Memory, Chicago Review of Books
Yvonne Rainer: Feelings are Facts, New Life Quarterly
Felisberto Hernández: Lands of Memory, New Life Quarterly
Interview w/ Roy G. Guzman, Adroit Journal
Interview w/ Carolyn Forché, Ploughshares


2019
Rediscovering Nahui Olin, Lithub
In the Land of Open Graves, The Believer
Kenia Enriquez and the World of Tijuana Women’s Boxing, The Lily
Scott Warren Trial, PRI’s The World
Distorting the Everyday: On Silvina Ocampo, Los Angeles Review of Books
The Return of the Surrealist Women, Public Books


2018
Interview w/ Raphael Villet, New Life Quarterly
Interview w/ Abdullah Shakur, New Life Quarterly
The Autobiography of Assata Shakur, New Life Quarterly


2017
The Collected Stories of Amy Hempel, New Life Quarterly
SPELLLING, KQED Arts

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